Mythos Hollywood - Das Geheimnis des Erfolgs

Mythos Hollywood - Das Geheimnis des Erfolgs 1998

1

Ekchart Schmidt examines the machinery behind the dream factory; the Hollywood myth is unmasked. How does the studio industry work? What role does marketing and the hype surrounding the stars play?

1998

The Sandman

The Sandman 1993

3.00

Daniel and Clara are on a vacation in Italy. In the form of the mysterious "Sandman" Coppola, a figure from Daniel's childhood, returns to haunt him, while he succumbs to an obsessive love with an enigmatic woman of strange beauty: Olympia, who might be far more than she first appears to be...

1993

Marilyn Monroe: Death of an Icon

Marilyn Monroe: Death of an Icon 2010

1

Documentary about Marilyn Monroe: 1962: America loses its blonde icon. Marilyn Monroe dies under mysterious circumstances. How did she die? The police report states: probable suicide. But there are many things that point to murder: a corpse draped too beautifully, an investigation that was cut short, evidence that disappeared. Plus Marilyn's affairs with the then US President John F. Kennedy and his brother Bobby. What really happened on that fateful summer night? After her housekeeper discovers the body, six hours pass before the police are called. She finds a beautifully draped corpse, sleeping pills in the blood but no pill residue in the stomach, witnesses who seem uncertain. The first investigator thinks about murder - and is taken off the case. Today no police files can be found.

2010

Der Prinz von Homburg

Der Prinz von Homburg 1994

1

Adaptation of "Der Prinz von Homburg"; recorded at the Bavarian State Opera.

1994

Internet Love

Internet Love 1998

10.00

Starting out as e-mail pen pals, Daniel and Laura soon fall in love. Only problem is that she lives in Germany and he lives in Los Angeles. When they finally arrange to meet in person, they discover that there is no chemistry between them.

1998

Männer im Trenchcoat, Frauen im Pelz

Männer im Trenchcoat, Frauen im Pelz 2004

1

Film noir, which enjoyed particular success in the 1930s and 1940s, is probably the most profound genre of classic Hollywood cinema. Eckhart Schmidt tries to show the background and developments and speaks, among others, with directors such as Richard Fleischer and Robert Wise as well as with "femme fatale" actresses. Filmmakers of the following generations explain how the style and themes of noir continue to shape cinema today.

2004