Keyword Demolition

A town in Fengjie county is gradually being demolished and flooded to make way for the Three Gorges Dam. A man and woman visit the town to locate their estranged spouses, and become witness to the societal changes.

Billy, a single mother of two, is led into a macabre underworld while her teenage son, Bones, discovers a secret road leading to an underwater town. Both Billy and Bones must dive deep into the mystery if their family is to survive.

Having finally secured her first assignment from her family's demolition business, Sam Walczak is sent to supervise the destruction of an apartment house, only to discover a group of tenants still living in the condemned building. One such tenant, Jimmy, tells Sam an urban legend about a serial murderer who used to live in the building and entomb his victims in the walls. What's worse, the dead are believed to still harass the residents to this day.

Otto is the only one who is able to save his Frisian fatherland; but he needs the help of his brother, who is abroad. But his brother does not want to fulfill what he has sworn as a child. So it takes Otto a while to convince him while time is running low for his plans to save East-Frisia.

The film takes place aboard an American submarine in the Pacific during World War II. The sub's commander is ordered to stop and pick up an underwater demolition team led by Lt. Hayes, whose mission is to locate and destroy a US submarine sunken in a lagoon off Bikini Atoll before the Japanese are able to raise it and capture the advanced radar system on board.

Gospel Hill tells the intersecting story of two men in the fictional South Carolina town of Julia. Danny Glover plays John Malcolm, the son of a slain civil rights activist. Jack Herrod (Tom Bower) is the former sheriff who never got to the bottom of the murder. Their paths begin to cross when a development corporation comes to town with plans to raze Julia's historic Gospel Hill.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.

An author spends a year and a half filming what happens as a new apartment building is built in a neighborhood of Barcelona.

Amidst the urban transformation driven by progress, bulldozers dismantle 'illegal' settlements, leaving countless lives shattered. In the aftermath of such upheaval, one basti, sacrificed to conceal poverty during the G20 summit, and another basti, abandoned by authorities without alternative housing, illustrate the stark realities of displacement. The film delves into the daily struggles of individuals who persist in the rubble of their former homes.

Destroyed in a dramatic and highly-publicized implosion, the Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. The Pruitt-Igoe Myth explores the social, economic and legislative issues that led to the decline of conventional public housing in America, and the city centers in which they resided, while tracing the personal and poignant narratives of several of the project's residents. In the post-War years, the American city changed in ways that made it unrecognizable from a generation earlier, privileging some and leaving others in its wake. The next time the city changes, remember Pruitt-Igoe.

Based upon the life of Commander Francic D. Fane (USNR), UnderWater Warrior follows the evolution of the US Navy's Underwater Demolition Unit from its inception near the end of World War II through its acceptance and finally successful utilization in Korea. Landmark underwater camera work makes Underwater Warrior a milestone in cinematic history.

The documentary Two Doors traces the Yongsan Tragedy of 2009, which took the lives of five evictees and one police SWAT unit member. Left with no choice but to climb up a steel watchtower in an appeal to the right to live, the evictees were able to come down to the ground a mere 25 hours after they had started to build the watchtower, as cold corpses. And the surviving evictees became lawbreakers. The announcement of the Public Prosecutors’ Office that the cause of the tragedy lay in the illegal and violent demonstration by the evictees, who had climbed up the watchtower with fire bombs, clashed with voices of criticism that an excessive crackdown by government power had turned a crackdown operation into a tragedy.

Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.

In the 1950s, Seattle had plans to build one of the densest networks of freeways in the world. It would have displaced thousands, especially the poor and people of color. Over the next two decades, a broad coalition of communities came together and halted these plans. Testimonies from that era are juxtaposed with interviews of activists who participated in the revolt, giving a picture of what Seattle could have been had the people not stood up to the highway lobby and their representatives.

A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.

Before an office complex is set to be demolished, it expresses one last wish: a love story. It centers around desire, security, and a melody that runs through the entire fabric of the building. So when darkness descends and everything falls silent, the routine lives of those within its walls sparkle like stars, paving the way for intimate chance encounters and absurd humor to unfold. A nocturnal kaleidoscope of longing, loneliness and freedom.

An abstract film consists of static shots of a small house-like being demolished through temporal ellipsis.

A film photo-montage about an old house that belonged to a traditional local family that was later demolished.

Estonian/Soviet animation short from 1964

Follow the wild real life exploits of legendary wheeler dealer junkman, Lawrie Vautier, as he knocks down buildings, salvages scrap, and buys, sells and collects his way to a fortune.

Boom! was an American reality television series that aired on Spike TV in 2005. It featured a group of demolition experts using explosives to destroy objects such as trailers, houses, boats and cars. Often, the suggestions on what should be blown up were sent in by home viewers via a "BOOM! Mailbag". Each episode covered obtaining the materials, cleaning, gutting, and rigging the thing with explosives, and then making the final countdown and pushing the detonator, and watching the devastation.