Catherine refuses to believe that her business partner, the unlikeable François, has a best friend, so she challenges him to set up an introduction. Scrambling to find someone willing to pose as his best pal, François enlists the services of a charming taxi driver to play the part.
Three stories adapted from the work of Edgar Allen Poe: 1) A man and his daughter are reunited, but the blame for the death of his wife hangs over them, unresolved. 2) A derelict challenges the local wine-tasting champion to a competition, but finds the man's attention to his wife worthy of more dramatic action. 3) A man dying and in great pain agrees to be hypnotized at the moment of death, with unexpected consequences.
Egon and the gang are hired to stage a robbery of an antique Chinese vase for an economically challenged baron. Naturally they fooled, which infuriates Egon. The gang tries to get back at the baron by switching the vase with a cheap Hong Kong copy. One attempt is made during the barons hunting party, where Egon ends up being bricked up in the catacombs. In another attempt, the gang has to coordinate breaking through several walls at The Royal Theater in Copenhagen with the "Elverhøj" overture.
A young man who steals valuable Oriental objects for a crooked antique dealer is hunted down by the police after his latest Chinatown robbery turns violent.
When the Postables discover an antique vase, they trace it back to three girls who attempted to sell it in to save their family farm. With the farm again facing hardship, the Postables must choose between doing what's legal and what's moral.
The beloved king of Hong Kong comic book characters, Old Master Q, is back in live action again by popular demand. This hilarious sequel to Mr Funny-bone finds him, and his delightful sidekick "Big Potato", opening an Old-fashioned healing clinic - leading to a fun and fascinating clash (cultural and otherwise) when the old ways smack face first into ultra-modern Hong Kong. But, this being the great Mr Funny-bone, he triumphs in spite of himself and his large-cranium companion.
This short probes the taboos around a very particular second-hand trauma, leading us to a more universal understanding of human experience.
