Keyword Lyon

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Claire and Stéphane are two Lyon-based judges who could hardly be more different. She is young and enthusiastic, committed to helping those unfortunates who find themselves in debt. He is older, wiser, but disillusioned with his work and his life. Under Claire’s influence, Stéphane discovers a new lease of life and at last finds a cause that is worth fighting for...

A brief extract of four kids' lives somewhere in France. Quentin, who won a writers contest and now pays more attention to his career as an author than to his friends, beautiful Julie, his girl-friend, much more mature than she looks, falling in love with Quentin's very best friend Jimmy, who is kind of stuck in his unability of self-expression and grown up under bad social circumstances. And there is the shy boy Samir, exiled from Algeria, who lost his "brother" and only friend some time ago. Samir heavily falls in love with Quentin, but he can't handle it...

In Lyon, where many are unemployed, Marie is a prostitute who loves her work: she's thoughtful and exuberant toward clients old and young, slim or flabby. One night, a homeless man sleeps in the foyer of her apartment house; she gives him a hot meal, then a place on the floor to sleep by her radiator, then she offers herself. She falls in love, giving him new life, clothes, a place to live. When he grouses that he must bar hop while she uses the flat for her work, she finds them a larger flat. He grows restless, seducing a manicurist and pressing her to prostitution. He's arrested for procuring, so Marie must decide what to do; he, too, must face the consequences of his choices.

At age 17, Eglantine is troubled by a number of things. Her argumentative parents comprise an absentee and philandering father and an overprotective, occasionally alcoholic mother. Her boyfriend Sébastien is a couple of years older; he's ready, but she isn't. Frequent furtive visits to her therapist help her to see that these issues are not 'problems', but 'difficulties', which she has the strength to overcome.

The Olympique Lyonnais women's football team has over the years become one of the best football teams in the world. From training sessions to competitive matches, from doubts to victories, this documentary takes an up-close look at these exceptional players and their daily lives. An invitation to see women's sports and the place they hold in professional sports under a new light: a universe where the values of respect and open-mindedness are indispensable mainstays in working towards equality.