At the end of the Civil War, Belle Gatlin Barlowe, a widowed mother of three, faces uncertainty as she attempts to defend her family's land by any means necessary. When the corrupt local bank pushes Belle into becoming an outlaw, the stakes become personal, setting off a chain of events that force her to question whether it's better to be lawful or to survive.
Depicting the biography of a corrupt banker poses a cinematic dilemma. How can the intentions of an individual systematic contexts and historical eventualities be brought into harmony? Thomas Furhapters nearly one hour film Michael Berger Eine Hysterie turns this problem outward by not covering up the moment of speculation. The subject of the film, Austrian investment banker Michael Berger, who became a dollar millionaire through a risky hedge fund, remains a chimera an absent individual who also cannot be captured through his crime.
