A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
Born into aristocracy, Toulouse-Lautrec moves to Paris to pursue his art as he hangs out at the Moulin Rouge where he feels like he fits in being a misfit among other misfits. Yet, because of the deformity of his legs from an accident, he believes he is never destined to experience the true love of a woman. But that lack of love in his life may change as he meets two women
Nineteenth-century Paris comes vibrantly alive in Jean Renoir’s exhilarating tale of the opening of the world-renowned Moulin Rouge. Jean Gabin plays the wily impresario Danglard, who makes the cancan all the rage while juggling the love of two beautiful women—an Egyptian belly-dancer and a naive working girl turned cancan star.
A singer marries a famous composer, and after a while she gets the itch to go back on the stage. However, her husband won't let her. When she hears that a popular French singer named "Raquel" is coming to New York, she decides to go to Raquel with a plan--unbeknownst to her husband, "Raquel" is actually her sister, and her plan is for them to switch places so she can fulfill her dream of going back on the stage. However, things don't go quite as planned.
An odd and tightly directed tale of a singer/dancer at the Moulin Rouge, who meets her daughter's fiance, only to have him fall obsessively in love with her and she with him. Alienation, betrayal and near tragedy result.
An uncle in America wants to endow his nieces with a dowry, provided they succeed in making a name for themselves one night at the Moulin Rouge, where one of them is already performing. Everyone's pulling out all the stops to help the girls put on an act, dupe the theater manager and win the dowry - which will be doubled if they manage to marry, as their uncle is marrying the star of the show.
A poor wretch, who has just been hired as a music-hall artist, in spite of himself becomes the tenant of a particular Parisian building.
