As anger and resentment grow in the face of social inequalities, many citizens-led protests are being repressed with an ever-increasing violence. In this documentary, David Dufresne gathers a panel of citizens to question, exchange and confront their views on the social order and the legitimacy of the use of force by the State.
The country is occupied by the Japanese imperialists. Koppun is selling flowers at the market to get some money to buy medicine for her sick mother. Her brother is imprisoned, her father dead and her sister blind.
The film addresses issues of racism in the Jim Crow American South. Themes of racial injustice, racial violence, working-class solidarity dominate the film. It depicts black men working in a field, walking in chains, sitting behind bars, and being executed in an electric chair. In most scenes, a white authority figure is seen whipping or guarding the men.
After a series of personal and professional setbacks, a white advertising executive signs up to participate in a trial for an experimental drug designed to make your skin appear tanned.
Sylvain, an Afghan veteran living off of petty crime, crosses paths with Nathalie, an upper-class CEO struggling to keep her lawnmower company afloat.
Black and White are twins with a powerful connection. After their parents' separation, though, White’s father took him abroad, and their family effectively severed in two. It isn’t until fifteen years have passed that White—now grown—returns to Thailand. One day, seemingly from nowhere, White feels an agony like death. He recovers in the hospital, but they’re unable to determine the cause. Then he picks up a call from a childhood friend, Tod. Tod tells him that Black is in a coma following a vicious attack, and he learns that Black is in a motorcycle gang. Unable to endure the harm done to his brother in silence, and suspecting it was one of Black’s close friends—Sean, Gram, or Yok—who betrayed him, White disguises himself as Black to root out the traitor.
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