Keyword Da De Muertos

A recently escaped convict seeks to recover a treasure he hid years ago in a small, secluded Galician village. However once there, he finds out that in the village there is an even worse sentence than the one he fled from.

The mourning has passed, it is not time to lament, but to celebrate, to wait for the rituals to work and for our dead to come, but how will they know the way if it is increasingly diffused?

An identity picture and the memory of Contla village through its Día de Muertos festivity. Celebration where the making of traditional bread, an offering colocation, and the embellishment of their family get mixed with mysticism and the yearning of the people community, preserving a tradition that interweaves for moments as a remembering in the México's heart.

Flores, a ghost who has been trapped for 100 years in the house where he died, remembers how he got there.

Energy cannot be created or destroyed. When we die, where does our energy go? Inspired by Vauhini Vara's essay "Ghosts", in which she prompted Al to help her write about her sister's passing, "GHOSTS" takes us on the emotional journey of grief. We see a ghost figure trying to get through to her sister, who is still alive, and let her know she's still around somehow. There are two poems in this piece, one is a poem written by GPT 3, and the next is the director's (Oriana Mejer) response to it. This film uses spoken word poetry, TouchDesigner motion graphics, and is originally scored by French musician Taime.