Lam Ching-Ying returns as the famous "Vampire Buster," this time starring as the One-Eyebrow Priest. To save the village from paranormal menaces, he deals with and battles a host of mysterious creatures including: a little mischievous Chinese vampire; a lustful female ghost; the spirit of a woman murdered by a club owner and a European vampire and his blood-sucking pet bats.
When a former actor moves into an apartment building with the intention of commiting suicide, he is saved by a Taoist priest who used to specialize in hunting Chinese hopping vampires: or Jiāngshī. Elsewhere in the building, a woman turns to a specialist in black magic to bring her husband back to life.
After his brother was crippled in the ring by a cheating Thai boxer, Chan Hung goes to Thailand to avenge his brother, and finds the key to an omen which may release their family from an ancient curse. He is then caught up in a spiraling web of fate, Buddhist curses, and black magic.
Rebellious Yu Yuan-gi becomes a Taoist priestess in order to avoid traditional roles designated to her as a woman by the society and focus on her studies and poetry. However, her trysts with both her maid and a ronin lead to trouble.
Famed director Zhu Shilin tries his hand at a horror film! The beginning of The Living Corpse immediately sets the tone with a folk duet clearly inspired by the popular 1956 musical Songs of the Peach Blossom River. The duet, in addition to Zhu's frequent use of long, empty shots and crisp editing, gives this horror film a traditional poetic charm and a strong folk flavor. Mise-en-scene and sound effects create a terrifying atmosphere, and successfully communicate the ghostliness of a world without ghosts.
Could our mounting modern problems have ancient solutions? Travel to the depths of China to find out.
