Three men meet on a night train on the border of Finland and Sweden. All three are concealing something, and a sudden confrontation amongst them leads to disastrous consequences, with two of them being forced to make a joint decision.
A retiring policeman gets caught up in between two younger men trying to kill each other. A modern borderline western taking place on both sides of the northern Finnish-Swedish border.
In this somber, psychological drama about the conflict between a man's innermost feelings and a society that puts these feelings in a strait jacket, the mood is ruminative and depressing throughout. Alone, Viktor (Sven Wolter) heads off for his usual summer vacation to some islands where he can ostensibly look for antiques for his wife's shop in Stockholm. His marriage is a failure or worse -- he raped his wife before he left home, and he is obsessed by erotic imaginings. Once on the islands, he makes friends with a little girl whose mother is mentally disturbed and is kept by her husband in a locked room. The islanders are as tight-lipped as Viktor, and any communication is stiff and artificial. Viktor's own alienation begins to slip as he takes surprising, violent action to turn around the imprisoned mother's life -- but it does not work, nothing seems to work -- and his last actions indicate that he may not be willing to simply give up.
After three years of hustle in the capital, Jony Nyberg is dumped and forced to move back into his mother's mobile home, still parked in the Motown of Finland. Returning to the hoods he grew up in, Jony has to contend with loose ends from his past, including a repressed hip-hop persona known locally as "MC Pahis".
