The story of the Agojie, the all-female unit of warriors who protected the African Kingdom of Dahomey in the 1800s with skills and a fierceness unlike anything the world has ever seen, and General Nanisca as she trains the next generation of recruits and readies them for battle against an enemy determined to destroy their way of life.
Spain, 2003. An accidental discovery leads Clarence to travel from the snowy mountains of Huesca to Equatorial Guinea, to visit the land where her father Jacobo and her uncle Kilian spent most of their youth, the island of Fernando Poo.
Based on the experiences of Agu, a child fighting in the civil war of an unnamed, fictional West African country. Follows Agu's journey as he's forced to join a group of soldiers. While he fears his commander and many of the men around him, his fledgling childhood has been brutally shattered by the war raging through his country, and he is at first torn between conflicting revulsion and fascination.
Carlos, a ruthless Spanish negotiation expert working in Brussels, is tasked with handling the kidnapping of a senior oil company executive in a troubled West African country —with which he has old and deep ties—, torn by ethnic tensions and government abuses.
In the oceanside village of Iyi, the revered Mama Efe acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted but rebellious daughter Zinwe and skeptical protégé Prisca warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper, a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.
As World War II rages in Europe, a conflict arises between the French and the Diola-speaking tribe of Africa, prompting the village women to organize their men to sit beneath a tree to pray.
The ruthless dictator Teodoro Obiang has ruled Equatorial Guinea with an iron hand since 1979. Juan Tomás Ávila Laurel is the most translated Equatoguinean writer, but he had to flee the country in 2011, after starting a hunger strike denouncing the crimes of the dictatorship. Since then, he has lived in Spain, feeling that, despite the risks, he must return and fight the monster with words.
A team of journalists investigate how human trafficking and child labor in the Ivory Coast fuels the worldwide chocolate industry. The crew interview both proponents and opponents of these alleged practices, and use hidden camera techniques to delve into the gritty world of cocoa plantations.
Chris Worthington sets out to document what the future of evangelism looks like. He invites you to get stranded in a West African dust storm, get shot at on the way to a 400,000 person Gospel event, and ultimately discover that it’s no longer about a select few famous evangelists, but about an entire generation of people just like YOU.
Ever since it was revealed that the chocolate industry is involved with child slavery in the Ivory Coast, the industry has been busy – due to consumer demands – explaining what exactly it does to actively fight trafficking and child labour. But does the industry live up to its own promises?In this investigative film, director Miki Mistrati tries to find out, if the chocolate industry – which is one of the largest corporations in the world – speak the truth, when they say that they provide education, medical care etc for the children of the Ivory Coast. But the project runs into trouble already from the get-go, because the embassy of the Ivory Coast won’t let Miki enter the country until he has an invitation – from the chocolate industry.
When Lena and Ulli start the engine of their old Land Rover, Lady Terés, they have a plan: to drive from Hamburg to South Africa in six months. What they don't know yet is that they won't ever get there. Two totally different characters, jammed together in two square meters of space for almost two years, they experience what it really means to travel: leaving your comfort zone for good.
Though gay-themed stories about "coming out" and accepting one's sexuality are not uncommon in Western countries, such tales are still rare in many conservative African nations. Considered a ground-breaking film in its native Guinea, and filmed amidst a storm of controversy, Mohamed Camara's Dakan is the first of its nations films to directly address issues surrounding homosexuality. The story centers on the romance between two 20-year-old men, Manga and Sory who are first seen making out in a car. The trouble begins when Manga tells his widowed mother about his love for Sory, who is busy contending with his outraged father. The parents insist that the two never see each other again. Manga's mother then uses witchcraft to cleanse her son and change him into a heterosexual. Time passes and eventually Manga begins to date a girl. But it soon becomes apparent that try as he might, Manga's heart belongs to Sory.
While running a free medical clinic in the 1960s, missionary couple John and Bettie Dreisbach face heavy government opposition in their attempt to preach the Gospel to the Muslim community of West Africa.
The New Boats is an investigative documentary that presents an eye-opening look at the impact of international industrialized fishing in West African waters and its disastrous effect on local communities at a critical point in Sierra Leone's history.
When a desolate and vulnerable girl is forced to enter an orphanage with her younger siblings, she must overcome harsh adversity and hardship to propel herself to a hopeful, academic future.
African drummer leaves village, makes it big in the world. Great drumming!!
24-year-old child marriage activist, Sali, is on a mission to end the harmful practice of child marriage. She seems to be the only person able to help the 14-year-old, soon-to-be child bride, Adi, living in a rural West African village. The tale of Adi's uncertain future and Sali's painful past shows the devastating impact child marriage can have over multiple generations as well as the bravery it takes to speak out against it.
In 1989, this film was part of the PAMEZ project in Senegal which was part of the sea program of the CCFD, Catholic Committee against Hunger and for Development. It presents the economic and social role of women in the Casamance region for the development of fishing. These women who process and market fish, who are responsible for management, have a voice and express their opinion.
Cyprien Tokoudagba is from the city of Abomey in the Benin Republic of West Africa, where he paints the religious houses of the vodun. Haas and his film crew follow Cyprien as he first paints and then takes part in the ceremony to open a new temple. The paintings include three vodun figures and several emblems, including a pipe and a duck. Cyprien explains his work in the context of the religion and takes the crew to film two other local ceremonies, one where the dead are believed to come back to instruct the living through wild dancing and, another, where women warriors perform their war dances.
Survival and paranoia will be the forces that destroy a bond between two recruits when their camp's only source of water runs out.
