Paris, 1930. Luis Buñuel is penniless after the scandal surrounding the release of his last movie. Sculptor Ramón Acín, a good friend, buys a lottery ticket and promises Buñuel that he will pay for his next movie if he wins the prize.
Spanish photographer Francesc Boix, imprisoned in the Mauthausen-Gusen concentration camp, works in the SS Photographic Service. Between 1943 and 1945, he hides, with the help of other prisoners, thousands of negatives, with the purpose of showing the freed world the atrocities committed by the Nazis, exhaustively documented. He will be a key witness during the Nuremberg Trials.
A small village in Huelva, Andalusia, Spain, 1936. Higinio and Rosa have been married only for a few months when the Civil War breaks out. Higinio, being afraid of possible reprisals from the rebel faction, decides to use a hole dug in his own house as a temporary hideout.
While searching for a solution to his serious health condition, David, a renowned neurosurgeon, discovers a sinister secret hidden in the past.
Salamanca, Spain, 1936. In the early days of the military rebellion that began the Spanish Civil War (1936-39), writer Miguel de Unamuno supports the uprising in the hope that the prevailing political chaos will end. But when the confrontation becomes bloody, Unamuno must question his initial position.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Upon the outbreak of the Spanish Civil War in July 1936, the anarchist union CNT socialized the film industry in Spain, so in Madrid and Barcelona film workers took over the production assets and, between 1936 and 1938, numerous films on a wide variety of topics were released, composing a varied mosaic that gives rise to one of the most unusual and original moments of Spanish cinematography.
Spain, April 14, 1931. The Second Republic is born. From the beginning, the writer Miguel de Unamuno is considered one of the ethical pillars of the new regime. Five years later, on December 31, 1936, a few months after the outbreak of the Spanish Civil War (1936-39), Unamuno dies at his home in Salamanca, capital of the rebel side, led by General Francisco Franco, and main center of dissemination of its propaganda apparatus.
Spain, 1931. Under the Second Republic, women are eligible, but cannot vote. Victoria Kent and Clara Campoamor, the first women in the Spanish Parliament, intend to fight for women's rights, and Clara knows that the first step is to get the women's vote approved…
The Spanish Civil War (1936-1939) caused a great impression on the lives of most of the American artists of that era, so many movies were made in Hollywood about it. The final defeat of the Spanish Republic left an open wound in the hearts of those who sympathized with its cause. The eventful life of screenwriter Alvah Bessie (1904-1985), one of the Hollywood Ten, serves to analyze this sadness, the tragedy of Spain and its consequences.
Spanish Civil War, 1937. A platoon of Republican soldiers plans to stop the advance of the rebel troops by bombing a bridge on the road to Zaragoza, near the city of Linás. With the close collaboration of the peasants of the area, the soldiers try to overcome the continuous bombardments and endure the harsh and tireless opposition of the powerful enemy…
The life of Paco Martínez Soria (1902-1982), one of the most famous and beloved Spanish actors, both on stage and screen; a comedian, a theatrical producer, an idol for the masses. A celebration of the uncommon gift of making people laugh.
While cleaning the apartment of Lucía, her deceased grandmother, Anna finds a notebook where she discovers the story of a secretly kept love, lived during the turbulent years of the Second Republic and the Spanish Civil War.
A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)
In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.
The Spanish journalist Manuel Chaves Nogales (1897-1944) was always there where the news broke out: in the fratricidal Spain of 1936, in Bolshevik Russia, in Fascist Italy, in Nazi Germany, in occupied Paris or in the bombed London of World War II; because his job was to walk, see and tell stories, and thus fight against tyrants, at a time when it was necessary to take sides in order not to be left alone; but he, a man of integrity to the bitter end, never did so.
What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)
The amazing story of Cifesa, a mythical film production company founded in Valencia by the Casanova family that managed to dominate the box office during the turbulent times of the Second Spanish Republic, the carnage of the Civil War and the hardships of the long post-war period and Franco's dictatorship — and survive until the sixties, when Spain was timidly beginning to change.
Spanish jurist and republican thinker Antonio García-Trevijano (1927-2018) expounds his political thought and reflects on the recent political history of Spain.
Spanish miniseries.
