Keyword Synchronicity

When neighbors John and Levi witness supernatural events in their LA apartment building, they realize documenting the paranormal could inject some fame and fortune into their wasted lives.

In order to turn their lives around, three taxi drivers living at the bottom rung of society hatch a plan to steal an invaluable art piece. Their plan was supposed to be perfect, but as coincidences pile up it becomes clear that nothing is going to go according to plan.

"Time is Art" is ultimately the story of an artist's search for inspiration in a money-driven society that shuns creativity, and of the human search for meaning in a seemingly meaningless world.

MAXIMÓN - Devil or Saint is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.

A strange attractor is created when lovers synchronize their minds, bodies, and computers using botanical substances. An enchanted and skewed digital dream world, Strange Attractor inverts the Adam and Eve story and re-visions the Persian/Arabian tale of Layla and Majnun. Sufi love madness meets media prophecy.

A cinematic experience by Douglas Gordon - in which the film D.O.A. is screened simultaneously on three screens beside one another, but at slightly different speeds. The films quickly fall out of synch with one another. Déjà-vu uses footage from D.O.A. 1949-50, a Hollywood thriller directed by Rudolph Mateé. The film has been transferred to video and is projected simultaneously on three parallel screens at normal speed as well as slightly faster and slightly slower - 25, 24 and 23 frames per second (left to right). This has the effect of making the three identical narratives diverge increasingly over time, and inducing in the viewer an experience similar to déjà-vu.