Keyword Unemployment Benefits

A working-class family in London's East End is struggling to stay afloat during the recession under Prime Minister Margaret Thatcher's premiership. Only the mother Mavis is working; father Frank and the couple's two sons Colin, a timid, chronically shy individual and Mark, an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis's sister Barbara, and her husband John, whose financial and social loftiness appears to be a comfortable facade over the unspoken soreness of a lackluster marriage.

Unemployed and unemployable, Tony is a sympathetic recluse with severe social problems, an addiction to VHS action films and a horrible moustache. Occasionally he snaps and murder is the result…

Manchester, the present. Michael divides his time between the job center and the pub. A chance meeting with Lee, an introduction to her Uncle Ian and a heavy night on the lash lead to a job working the door at a Northern Quarter massage parlor. After witnessing the violent death of one of the punters, Michael experiences blood-drenched flashbacks and feels himself being sucked into a twilight world that he doesn't understand but that is irresistibly attractive. When he eventually finds out what goes on in the room below Cloud 9, Michaels' life will never be the same again.

A recently laid off steel mill worker in a little seaside town starts losing his wife to a local TV anchor.

With the energy of the dying, those in power apply themselves to reasserting the value of work – with force, if need be. But more and more workers have understood that, to truly value their work, they have to do without it. They also have to get rid of the society of consumption that goes along with it. It may not be easy, but it is certainly amusing. We present a panorama of a mass desertion destined to spread.

3.5 million children are growing up in poverty in the UK. It’s one of the worst rates in the industrialised world and successive governments continue to struggle to bring it into line. Struggling & without a voice, 'Poor Kids' shines a light on this pressing issue.

An unfocused twentysomething moves in with a former co-worker, who is suffering from low self-esteem because of her weight, looks, and a case of eczema. Their relationship is based on unending drink, drugs, and sex.

In a not-so-distant future, Adeel must comply with the machines to survive.

A short documentary following the last 5 hours of a 59-years-old man, Ahmed before becoming homeless due to the late payments and bureaucracy by the Department for Work and Pensions.

Bread is a British television sitcom, written by Carla Lane, produced by the BBC and screened on BBC1 from 1 May 1986 to 3 November 1991. The series focused on the devoutly-Catholic and extended Boswell family of Liverpool, in the district of Dingle, led by its matriarch Nellie through a number of ups and downs as they tried to make their way through life in Thatcher's Britain with no visible means of support. The street shown at the start of each programme is Elswick Street. A family called Boswell had also featured in Lane's earlier sitcom The Liver Birds and Lane admitted in interviews that the two families were probably related. Nellie's feckless and estranged husband, Freddie, left her for another woman known as 'Lilo Lill'. Her children Joey, Jack, Adrian, Aveline and Billy continued to live in the family home in Kelsall Street and contributed money to the central family fund, largely through benefit fraud and the sale of stolen goods.

The daily troubles of the people who work in a busy West Midlands Job Centre, and the people who don’t work there, or anywhere else for that matter.

This documentary series reveals the reality of life on benefits, as the residents of one of Britain's most benefit-dependent streets invite cameras into their tight-knit community