Artype 1966
Artype patterns, intended for loops. Benday dot patterns. Dots, lines. Screens, wavy lines, parallel lines, etc. on clear film. No camera.
Keyword Fluxus
Eyeblink 1966
A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.
No. 4 1966
This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.
Smoking 1966
Shot at 2,000 frames per second, this short shows a man exhaling smoke in incredibly slow motion.
10 Feet 1966
Prestype on clear film measuring tape, 10ft. length. No camera. At the end of every foot of film numbers appear, 1, 2, etc to 10
End after 9 1966
Word & number gag, no camera.
Dots 1 & 2 1965
Single frame exposures of dot-screens.
Blink 1966
Flicker: White and black alternating frames.
Opus 74, Version 2 1966
Single frame exposures, color. Different image each frame, various items in the room, etc.
Dance 1966
"Face Smiling. Hammering a brick. CU of an ear (moving?). Face twitching. Dancing on one leg. Rolls, twitches on the floor. Boxes the wall."
Fluxfilm No. 36 1970
Tips of feet walking at the edge of frame, all around the frame.
5 O'Clock in the Morning 1966
A handful of rocks and chestnuts falling, filmed with high speed camera.
Disappearing Music for Face 1966
A smile gradually fades into a neutral facial expression.
Sun in Your Head 1963
"Single Frame sequences of TV or film images, with periodic distortions of the image. The images are airplanes, women men interspersed with pictures of texts like: 'silence, genius at work' and 'ich liebe dich.' The end credit is 'Television décollage, Cologne, 1963."
Readymade 1966
Color test strip from developing tank.
Sears Catalogue 1-3 1966
Each film frame is a different image from the Sears Roebuck mail order catalogue. The film places pictures of the objects sold by Sears to the consumer society side by side with pictures of female models
Word Movie 1966
Single frame exposures of words.
Regardez moi cela suffit 1962
Sitting on a promenade in nice with a sign: Watch me, that’s all.
Trace #23 1965
Begins with a shot of a demarcation line on an asphalt tennis court. A hand points to the distant landscape, then numbers 408 and 409 appear on a female torso.
