Dopo essere stato involontariamente congedato dalle forze speciali statunitensi, James Harper decide di mandare avanti la famiglia unendosi a un'organizzazione privata guidata da un collega veterano. In missione segreta all'estero, Harper dovrà sfuggire a coloro che cercheranno di ucciderlo nel tentativo di tornare a casa.
Quando il salvataggio di un agente della Cia rapito conduce alla scoperta di un complotto terroristico contro gli Stati Uniti, una squadra di SEAL viene inviato in una caccia all'uomo in tutto il mondo. Non appenna i valorosi uomini di Platoon Bandito devono fermare un attacco coordinato in grado di uccidere e ferire migliaia di civili americani, dovranno essere in grado di bilanciare il loro impegno verso il paese, il team e le loro famiglie a casa.
Based on a true story, Scorpion is a high-octane drama about eccentric genius Walter O’Brien and his team of brilliant misfits who comprise the last line of defense against complex, high-tech threats of the modern age. As Homeland Security’s new think tank, O’Brien’s “Scorpion” team includes Toby Curtis, an expert behaviorist who can read anyone; Happy Quinn, a mechanical prodigy; and Sylvester Dodd, a statistics guru.
CIA officer Carrie Mathison is tops in her field despite being bipolar, which makes her volatile and unpredictable. With the help of her long-time mentor Saul Berenson, Carrie fearlessly risks everything, including her personal well-being and even sanity, at every turn.
When CIA analyst Jack Ryan stumbles upon a suspicious series of bank transfers his search for answers pulls him from the safety of his desk job and catapults him into a deadly game of cat and mouse throughout Europe and the Middle East, with a rising terrorist figurehead preparing for a massive attack against the US and her allies.
The Agency is a CBS television drama that followed the inner-workings of the CIA. The series was created by Michael Frost Beckner and was executive produced by Michael Frost Beckner, Shaun Cassidy Productions and Radiant Productions in association with Universal Network Television and CBS Productions. It aired from September 27, 2001 until May 17, 2003, lasting two seasons. It featured unprecedented filming from the actual CIA headquarters. The show was controversial regarding its exploration of current international affairs and its treatment of the ethical conflicts inherent in intelligence work. Beckner's pilot script, written in March 2001, posited a re-invented CIA tasked with a "War on Terror" after Osama Bin Laden's Al Qaeda terrorist organization plots a lethal attack on the west. The pilot was to premiere at CIA Headquarters on September 18, 2001 and set to air on CBS September 21, 2001, however, the actual 9/11 attacks convinced the network to hold the pilot and instead air a later episode. That first episode was aired later as the third episode of the first season. The September 11, 2001 terrorist events changed the way Americans viewed topical entertainment and "The Agency", at the time, was one of the most topical offering on network television. The producers of the series quickly responded to this new American perspective on world affairs, but CBS chose to cancel the show shortly after the second season's final episode.
Jake 2.0 is an American science fiction television series originally broadcast on UPN in 2003. The series was canceled on January 14, 2004 due to low ratings, leaving four episodes unaired in the United States. In the United Kingdom, all the episodes aired on Sky1. The series later aired in syndication on HDNet and the Sci Fi Channel. The series revolves around a computer expert, Jake Foley, who works for the U.S. government's National Security Agency and was accidentally infected by nanobots which give him superhuman powers. He is able to control technology with his brain, making him "the ultimate human upgrade" according to the show's introduction.
The Border is a Canadian drama that aired on CBC Television and 20 other TV networks worldwide. It was created by Peter Raymont, Lindalee Tracey, Janet MacLean and Jeremy Hole of White Pine Pictures. The Executive in Charge of Production is Janice Dawe. Episodes in the first season were directed by John Fawcett, Michael DeCarlo, Ken Girotti, Kelly Makin, Brett Sullivan and Philip Earnshaw. The first season had a total budget of 20 million dollars, with about 1.5 million dollars per episode. The series is set in Toronto and follows agents of the fictitious Immigration and Customs Security agency. ICS was created by the Government of Canada to deal with trans-border matters concerning Canadian national security including terrorism and smuggling. The cancellation of The Border was announced by the CBC after three seasons were aired.
A comedic drama about a group of rogue CIA spies in the Office of Disruptive Services (ODS), who combat threats to national security amidst bureaucratic gridlock, rampant incompetence and political infighting.
A story about a team of agents is told from the perspective of An Jing and Ma Shang. Showing no fear in their mission to uphold justice, these officers work hard to protect national interests.
Each day the President is faced with dozens of life and death decisions, and to prioritize the biggest international crises facing the country, one top CIA analyst - Charleston Tucker - assembles the President's Daily Briefing. This list of the most vital security issues facing the nation brings with it moral and political judgment calls for Charleston and her trusted group of brilliant analysts at the agency. Aside from the political minefields she has to walk, Charlie has a close personal relationship with the President because she was once engaged to her son before a tragic terrorist attack took his life. Charlie survived that attack and is now determined to bring the perpetrators to justice. Navigating a complex personal life and a pressure-cooker profession is, of course, a challenge, and Charlie sometimes engages in boundary-pushing behavior to avoid facing her grief. But when the clock strikes 2 a.m., she is all about her job - protecting her nation, serving her president and still trying to get to the bottom of her fiancé's murder that will reveal itself as a shocking mystery.
How does the fictional world of spying compare with the reality? Peter Taylor looks at the real world of modern spies.
