Public Service Broadcasting Trust

A celebration of the work of singer/composer Shankar Mahadevan with interviews from various Indian celebrities.

As the region of Barak Valley, Assam, India, is swiftly giving way to newer formations, structures, and beliefs, two siblings converse over the phone about their deserted childhood home situated in the same region while residing far from it.

The ten anthologies and eight long poems of the Sangam age are the oldest and most distinguished body of secular poetry extant in India, of which women poets were a very strong presence.

Schizophrenia. It may be one word, but it immediately conjures up multiple connotations. Mad. Incurable. Violent. Suicidal. Chemical imbalances. Crazy. A lifelong condition. Inevitable dependency on Medicines. Dark. Terrible. 'A Drop of Sunshine' challenges these notions. It questions the mainstream view of the condition and seeks alternate ways of recovering from it. Through the powerful story of its young and gutsy protagonist, Reshma Valiappan, it seeks to give viewers a new vocabulary to address the stigmatized mental illness. The film proposes that the only treatment method that can work in Schizophrenia is one where the so-called 'patient' is encouraged and empowered to become an equal partner in the process of healing.

A film about home and belonging, tracing the filmmaker's personal journey to understand what it means to be a Muslim in India today.

The contemporary relevance and future of oldest classical music.

Story of the filmmaker's journey with Uma, a certified scuba diver, exploring the underwater world and the threat to coral reefs of Gulf of Mannar, India. Born in a traditional family in Tamil Nadu, 53 year old Uma, a homemaker, has been trying to bring attention to this alarming environmental issue through her paintings. It is, in fact, these corals that inspired Uma to learn how to swim, dive and paint in her 50s.

Adoor Gopalakrishnan’s films map the history of the region from the inside. This Documentary looks at how the filmmaker dealt with human conditions at the most elemental level with a sensibility that makes his films universal in appeal.

The film celebrates the beauty of plural India through the genre of the road movie.

Centred around a film festival of Indian films in China, the Film reflects on the dominant as well as alternative impressions of cultures – people, histories and landscapes – brought to us by cinema, playfully examining the idea of the cinematic image as an integral part of cultural propagation.

Liberia, a nation scarred by 14 years of brutal civil war, stands at a critical moment in its history as it heads for its second democratic election in October 2011. This election will decide the country's future course - towards peace and stability or violence and chaos. Assisting the UN peacekeeping operation is a special unit from India - an all-female police contingent. Deployed yearly since 2007, it is the first such unit to ever take part in a peacekeeping mission.

An impressionistic sketch of ‘the public’ as created by our cinema and its relationship with cinema itself.

An impressionistic film that paints a picture of Kozhikode in North Kerala and the spiritual immersion of its ordinary town-dwellers in music. A reflective essay traversing a music culture that is cosmopolitan, having strong local and global influences, it explores the music and memories of the city and its people.

Bajrangi Bhaijaan explores how ideas of masculinity in India are tied to Salman Khan fandom. It tries to understand what eco-blockbuster-manufactured machismo has on the Indian male already struggling with his identity in a globalized world. The story of a Salman Khan look-alike Shan Ghosh, and his two fans Balram and Bhaskar

Shot in the monsoon of 2018 in the Mirya creek in Maharashtra, the film records the unfolding of fishermen and fishing processes in the village of Mirya. It seeks to highlight some of the troubled and lived realities of the fishing community in the current times in an Indian village. The film is also a deliberation on the process of production of the film itself.

In Nagaland stones are deemed to be reminders of what they have seen. This documentary traces modern manifestations of recorded memory and how the past lingers on.

They set off, looking for work in far-off places, but disappeared along the way. Inspired by Shiv Kumar Batalvi’s “birha” poetry, the film traces the longing on both sides: on the part of those who are missing, and those that wait for them to return.

Vipin Vijay's Palace of the Winds is a poetic essay about that "Holy Little Box," the radio, conceived of as a ghostly transmitter of Indian cultural artifacts.

The Film is inspired by the work of Urvashi Butalia and Ritu Menon, who co-founded the first feminist publishing house in India: Kali for Women. It looks back on thirty years in publishing and focusses on the feminist politics and friendships that make this survival possible.

As a call from the periphery of sanity, the film is a series of dream narratives, and accounts of spiritual possession as experienced by women 'petitioners' at the shrine of a Sufi Saint in North India.