UNAM

Sound progression of two opposite landscapes.

The story is about a young man suffering mental retardation and sexual awakening, poet is charismatic and has the ability to pay attention to those little insignificant details of everyday life. His new status as a lover will bring popularity and with it problems will expose prejudice and false morality of a blinded people to wash their sins charged with the death of the less guilty.

Their men went to the North in search of their destiny, while they stayed.

Since Rosa was little, people used to say around town that her grandfather was a black dog. The legend, belonging to the Valley of Oaxaca, spoke of a man who had the ability to turn into a black dog and roam the streets at night. Through images of the town, interviews with the brothers and animated interventions, the documentary tells the story of the myth and its importance in the collective memory.

Exposition of two different processes of forensic identification in exhumed bodies with features of violence.

An unnamed man goes to a hotel to commit suicide with pills while listening to songs by Marlene Dietrich. But that act that seems to trigger the mere memory of places and experiences before dying, suddenly merges with other characters and dramatic experiences, which give life to a limit work, of desperate, almost intolerable courage, obstinate in dismantling all institutional discourses of the history of Mexico, without ceasing to use extraordinarily all possible cinematographic resources.

A married, middle-aged well-known biochemist and university teacher Augusto, leaves his wife, his job and the comfort of his life to go after Marlene, a 14-year-old teenager with extraordinary beauty who burst into his life unexpectedly. One day, Marlene is taken from the custody of Augustus by Genaro, a psychotic sailor, who seduces and finally kidnaps her by taking to the ominous port of Tampico, where Augustus will seek her to try to free her, not without giving her life to pain and atonement, undergoing a deep personal transformation.

"Everybody's Got Somebody... Not Me" - Alejandra is sick of her daily life and her past relationships that have not worked out. Then she meets María, an adolescent, with whom she has an affair. At first everything runs smoothly, however Alejandra´s personality and her emotional needs prove increasingly demanding; being around her becomes unbearable. At this point, they ask themselves whether they should continue the oppressive relationship, or go on with their ordinary lives.

Displaced by the violence that swept their town, Paloma and Lobo survive trying to love each other. Through thirst, fear and nostalgia, Paloma wishes to go back home but Lobo lives tied to a memory that stops him from returning.

Mexico City, 1960. Aurelia lives happily with her family. Just before the birth of her third daughter, her husband dies in an accident. Years later, Leonor, the oldest daughter, has quit her studies to help her mother support the household. Beatriz, immersed in her music, lets life slip her by like a strange melody. Adolescent Nadia has only one interest in life: to seek new experiences. Aurelia starts to lose her sensibility to pain, and the family relationships become so alienated that they begin to disintegrate like the house they live in.

Tania and Cocteau, a cat that comes from the not too distant future, tell the story of the passage of animals through the world and their relationship with humans.

The vertiginous progress of modernity has caused the spaces that humanity previously inhabited, now remain forgotten.

Gilberto leaves his home on the last day of his father's life, travelling around the city in search of the places that were meaningful to him: his old house, the museum where he worked, and the streets of a very lively city. This escape becomes a reconstruction of the father, a journey through memory and a farewell.

Subjugated by power, the workers of a mining town organize clandestinely.

Two people search for each other on the halls of Ciudad Universitaria. On their way, they reminisce about moments of their past relationship: the time they first exchanged glances, their first chat, the dates they had, and the key moment in which they distanced from one another.

Samuel is a taxidermist in charge of dissecting a fish, however, he begins to be stalked by his neighbor who seems to be plotting something terrible against him. Samuel becomes obsessed with this idea, and little by little he will unravel the truth of the harassment of him, without knowing that this will lead him to a destiny surrounded by horrors, blood and cosmic delusions.

Don Plascencio has a collection of men he uses like radio stations: in a routine aural examination each man plays a different musical piece instead of the usual heartbeat.

In this comedic docufiction, Javier (Javier Raphael) is a young man who has always wanted to be a football coach like his idol “El Chelís” (José Luis Sánchez Solá), but has never done anything to fulfill his dream. Now, guided by a nosy narrator (Jorge Pietrasanta), he will look for some of the most unorthodox amateur football coaches in Mexico, and for his beloved "Chelís", so that each one can give him lessons until he is fully trained to manage a match and thus become a true "Mexican football coach".

Everything is political, even something as insignificant as a bathroom. The struggle to occupy spaces represents the struggle to reaffirm one's very existence. This is why we explore why the creation of gender-neutral bathrooms in the Faculty of Philosophy and Letters is so important in a country that leads in hate crimes against the LGBTQ+ community.