Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.
The episode dives into the mystical universe of Carlos Pertius, the son of a family of French immigrants, hospitalized at the age of 29. After facing personal problems such as the death of his father, one day he caught a glimpse of a cosmic image, which he named “the planetarium of God”. He was incarcerated at Praia Vermelha hospital, in Rio de Janeiro, and was diagnosed with schizophrenia. In 1946, he began to attend the studio created by Nise da Silveira, becoming fond of it as if it were his home. His works are marked by the presence of mandalas, signs of his attempts to organize psychic chaos.
In hopes of unraveling the causes and cure for various forms of insanity, a psychiatrist in Brazil created the Museum of Images from the Unconscious in 1952. It gathered paintings and drawings made by mental patients from all over Brazil. Many of the works in the museum are paired with the case-histories of the patients who created them in this fascinating film.
Dialoguing directly with the trilogy of documentaries “Images of the Unconscious”, made between 1983 and 1986 and based on clinical cases and therapies with a humanist approach and artistic expression, conducted by the pioneering psychiatrist Nise da Silveira (1905-1999) – screenwriter of that film –, here is presented, in two parts, an interview with the doctor, a student of Carl Jung and a pioneer in the application of non-violent treatments for psychiatric patients, given to director Leon Hirszman, in 1986. The conversation is divided in two parts: the first, "The emotion of dealing", the second, "The egress".
Between 1974 and 1976, while researching for his filme "S. Bernardo", Leon Hirszman shot three documentary shorts produced by the Brazilian Ministry of Education on the chores of the men who worked in the sugar cane fields in the town of Feira de Santana, in the cocoa fields of Itabuna, and in the efforts of building households in Chã Preta.
Statistics, interviews and historical information on illiteracy and inequality in land distribution in Brazil's countryside.
Between 1974 and 1976, while researching for his filme "S. Bernardo", Leon Hirszman shot three documentary shorts produced by the Brazilian Ministry of Education on the chores of the men who worked in the sugar cane fields in the town of Feira de Santana, in the cocoa fields of Itabuna, and in the efforts of building households in Chã Preta.
Adelina Gomes, a poor girl, daughter of peasants, with a primary education and some manual training, shy and submissive to her mother, had never had a boyfriend until she was 18 years old, when she fell in love with a man who was not accepted by her mother. He submitted himself to the fact and gradually withdrew until one day he strangled the cat, which he liked very much. By killing the cat, Adelina denied herself as a woman, taking refuge in madness with great aggression.
