Lithuania, 1941, during World War II. Hundreds of thousands of texts on Jewish culture, stolen by the Germans, are gathered in Vilnius to be classified, either to be stored or to be destroyed. A group of Jewish scholars and writers, commissioned by the invaders to carry out the sorting operations, but reluctant to collaborate and determined to save their legacy, hide many books in the ghetto where they are confined. This is the epic story of the Paper Brigade.
The city of Mariupolis is by the Azov sea. It is also on the river Kalmius. Most of the city’s residents, half a million according to the last census, are working for the steel factory and do fishing, for leisure or food, in between shifts. The orthodox church towers above the city and its newly build bronze domes are sitting next to it, waiting to be donned. A tent near by is sheltering a crying icon, which receives a steady flow of visitors.
It follows Rimants who is more interested in playing rugby, listening to music and dealing on the black market than studying for school, but when he falls in love with Monika, his faith in love and the future is tested.
In the Cold War years of the 1970s, an American patrol boat meets a Soviet ship off the east coast of the United States for talks about fishing rights in the Atlantic. In the midst of this, while Russian commanders are aboard the U.S. Coast Guard vessel where the talks are being held, a Lithuanian sailor jumps across the ten feet of icy water separating the boats. Crash-landing on the deck of the American ship, he desperately begs for asylum. Though they try, the Americans ultimately fail to provide protection and the Soviets are allowed to capture him and brutally return him to their vessel. Thus begins a stranger-than-fiction story of imprisonment, discovery, fame, and freedom. Through rare archival footage and a dramatic first-person re-enactment of that fateful day by Simas Kudirka, the would-be defector himself, this tale of one of the biggest Cold War muddles takes us on a journey of uncanny twists of fate, and the emotional sacrifices of becoming a universal symbol of freedom.
Based on the latest technological and scientific advances, this documentary explores the palace's architectural past to resurrect Louis XIV's vanished Versailles. Versailles was an ongoing building site at the time of Louis XIV and continued to be transformed by its successive occupants later on. The Versailles we know today only vaguely resembles the Versailles of the Sun King. Most of its original features and apartments no longer exist. Thanks to the digitisation of thousands of plans, a team of scientists takes us back in time to explore this forgotten past in a new way, through a large-scale reconstruction project to bring back the Versailles of Louis XIV as he designed it, according to his requirements and dreams.
Teleplay based on Justino Marcinkeviciaus' play.
The Grand Duke of Lithuania Skirgaila locks up the Duchess of Lida Ona Duonute in his castle and forces her to marry him.
This documentary follows a bustrip from Tallinn to Kaliningrad. A route that was so common in the Soviet times now passes through 4 different countries and crosses 3 different borders.
A comical story about old age, love, loneliness, and approaching death.
Based on A. Chekov's play of the same name.
About Hamlet's problem of human existence.
A subjective portrait of the famous Lithuanian filmmaker. The film combines interviews of Bartas, talking about his films, his creative intentions, reminiscing about the beginning of his career as a filmmaker, and Coudray’s personal opinion on the director.
The doomed ancient Greek philosopher Socrates on the last night of his life.
Will history be able to triumph, and misfortune and loss turn into joy? Everything is possible in the theater.
Teleplay based on B. Dauguvietis' works
In the oncology hospital people's problems, and destiniessituations are revealed in special life, relationships between doctors, patients and their relatives in extreme conditions are shown in a psychologically motivated and reasonable way, looking for light - even when all around is dark...
Teleplay based on August Strindberg's works.
Old Abraham Bentley hid the remainder of the family fortune at one end of a rope he arranged in the barn - the noose at the other end is in plain sight. He receives his prodigal son, Luke, with a mixture of obvious joy and of inarticulate urgings for him to hang himself.
A dialogue between two historical personalities, during which a political transaction takes place and the moral face of both personalities is revealed.
