Kes

Kes 1970

7.48

Bullied at school and ignored and abused at home by his indifferent mother and older brother, Billy Casper, a 15-year-old working-class Yorkshire boy, tames and trains his pet kestrel falcon whom he names Kes. Helped and encouraged by his English teacher and his fellow students, Billy finally finds a positive purpose to his unhappy existence—until tragedy strikes.

1970

Earth Girls Are Easy

Earth Girls Are Easy 1988

5.60

In this musical comedy, Valerie is dealing with her philandering fiancé, Ted, when she finds that a trio of aliens have crashed their spaceship into her swimming pool. Once the furry beings are shaved at her girlfriend's salon, the women discover three handsome men underneath. After absorbing the native culture via television, the spacemen are ready to hit the dating scene in 1980s Los Angeles.

1988

Family Life

Family Life 1971

7.17

A young woman, Janice, is living with her restrictive and conservative parents, who lead a dull working-class life and consider their daughter to be “misbehaving” whenever she’s trying to find her own way in life.

1971

British Sounds

British Sounds 1970

5.20

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.

1970

The Body

The Body 1970

4.50

A psychedelic documentary of the body electric, with music by Pink Floyd. The film was directed and produced by Roy Battersby. The film's narrators, Frank Finlay and Vanessa Redgrave, provide commentary that combines the knowledge of human biologists and anatomical experts. The film's soundtrack, Music from the Body, was composed by Ron Geesin and Roger Waters.

1970

Looks and Smiles

Looks and Smiles 1981

6.70

Thatcherism and the Irish troubles provide the backdrop for this study of Mick, a well-meaning youth in Sheffield, who has, unlike Dickens' Pip, no expectations. Mick lives with his parents, works on his motorbike, looks for work, and every two weeks gets his check from the dole. There are no jobs. His best mate Alan joins the army to fix tanks and is sent to Belfast to quell Catholics. At a disco, Mick meets Karen, who works at a shoe shop and lives with her recently-separated mom. Karen misses her dad. She offers Mick emotional stability and a route to adulthood; Alan pitches the army. Does Mick have a future?

1981

Black Jack

Black Jack 1979

7.00

When honest young Tolly is forced on the run with ‘Black Jack’, a villainous ruffian, adventure and mishap are never far away. As the two enter a world of body-snatchers, private lunatic asylums, and traveling fairs they find friendship in the most unlikely places.

1979

Fatherland

Fatherland 1986

6.20

Persona Non Grata in his homeland, protest singer Klaus Drittemann must leave East Berlin, his wife and child and emigrate to West Berlin, where the representatives of an American record company are eagerly waiting for him. They plan to exploit his defection from communism both ideologically and financially. But Klaus, as ill-at-ease in the West as he was in the East, is reluctant to be used as an expendable commodity. Leaving his contract unsigned (or signed in his manner), he leaves for Cambridge to meet his father, a concert player, who -just like him - left East Berlin thirty years ago as Klaus was a little boy. He is accompanied by a young French journalist, Emma, who knows where his father has been living since he disappeared for more than a decade. The young lady is cooperative but might hide things from him...

1986

Handgun

Handgun 1983

6.10

Shortly after moving to Dallas, a young woman is raped at gunpoint. Her intense anger drives her to seek revenge, and she becomes a hunter on a vengeance mission.

1983

Prostitute

Prostitute 1980

5.60

The tale of two women: Sandra, an ambitious but naive Birmingham working girl who moves to London with the hope of securing wealthier patrons, and Louise, her social worker friend, who is fighting to change the antiquated and hypocritical prostitution laws. As both strive to achieve their goals, a cold dose of reality dashes their hopes, and the built-in biases against women in society are unmasked.

1980

Moonlight on the Highway

Moonlight on the Highway 1969

2.00

Writing for ITV's SATURDAY NIGHT THEATRE series, Dennis Potter introduced the notion that popular music expresses the yearning of the human spirit for a better world. A troubled young man, David Peters (Ian Holm), claims, "Once dreams were possible, that's what the popular songs told us." Rejecting rock music of the day, Peters is immersed in the tunes of Thirties crooner Al Bowlly (killed during the London blitz). He collects Bowlly memorabilia, publishes the Bowlly fan-club newsletter, and finds pleasure in lip-synching Bowlly records but his obsession with Bowlly masks certain darker events in his past.

1969

Lay Down Your Arms

Lay Down Your Arms 1970

6.00

Dennis Potter used his own background as a Russian language clerk in the War Office when writing this play for ITV's SATURDAY NIGHT THEATRE series. At the time of the 1956 Suez Crisis and the Russian invasion of Hungary, Private Bob Hawk reports to the London Intelligence Office where the strength of Soviet troops is under scrutiny.

1970

Dusty

Dusty 1983

6.00

The eponymous Dusty is an appropriately named dingo, or wild dog. Roaming the fertile fields of Australia, Dusty is captured as a puppy. Though dingoes are normally averse to human companionship, Dusty attaches himself to an old, worn-out shepherd, played by Bill Kerr. The dog gives Kerr a reason for living, and vice versa. Be sure to have plenty of Kleenex handy for some of the mistier passages of Dusty.

1983

An Exchange of Fire

An Exchange of Fire 1993

1

Pavel Rhele is the ruthless head of a terrorist cell in a story of two fathers and two daughters whose relationships are suddenly subjected to public and private scrutiny.

1993

After a Lifetime

After a Lifetime 1971

1

Ken Loach's first production for ITV, shown under the 'Sunday Night Theatre' strand (originally broadcast 18th July 1971). After a Lifetime is something of a neglected, social realist masterpiece that focuses on two brothers, brought together by the death of their father, reflecting on his life of militancy and political activism. At the time critic Nancy Banks Smith called it ‘brilliantly funny, and moving with a sort of subterranean rage’. Smith himself plays the older brother with a brilliant, raw emotion.

1971