The Golem: How He Came Into the World 1920
In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.
In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.
The misadventures of an effete young man who must get married in order to inherit a fortune. He opts to purchase a remarkably lifelike doll and marry it instead, not realizing that the doll is actually the puppet-maker’s flesh-and-blood daughter in disguise.
A teenage tomboy, tired of being bossed around by her strict guardian, impersonates a man so she can have more fun. She quickly discovers that being the opposite sex isn’t as easy as she had hoped for. What ensues is a gender-bending comedy decades ahead of its time.
A pampered American oyster tycoon decides to buy a husband for his daughter, but things don’t go quite as planned. Along the way there are mishaps, misunderstandings and a foxtrot sequence that must be seen to be believed.
The story of Madame du Barry, the mistress of Louis XV of France, and her loves in the time of the French revolution.
A charismatic lieutenant newly assigned to a remote fort is captured by a group of mountain bandits, thus setting in motion a madcap farce that is Lubitsch at his most unrestrained. A wonderfully anarchic and playfully subversive satire of military life from one of the great comedy filmmakers.
The story of the ill-fated second wife of the English king Henry VIII, whose marriage to the Henry led to momentous political and religious turmoil in England.
The tragic story of Don Jose, a Spanish cavalryman, who falls under the spell of a gypsy girl, Carmen, who treats him with both love and contempt and leads him into temptation and thus damnation.
The favorite slave girl of a tyrannical sheik falls in love with a cloth merchant. Meanwhile, a hunchback clown suffers unrequited love for a traveling dancer who wants to join the harem.
Egyptians Radu and Ma milk British tourists out of their money by offering phony tours of a mummy's tomb-- Radu has the girl lend her eyes to the "mummy" from inside an empty sarcophagus. When adventurer Wendland comes to visit the tomb, Ma is rescued and falls in love with him, leaving Radu in the dust. Needless to say, her former employer / captor follows them abroad in order to exact his revenge.
Because Ernst feels oppressed by his wife and her mother, he fakes his suicide and hires in his own household disguised as a servant.
Sally Pinkus is an German-Jewish boy who takes a job as a shoe store clerk after being expelled from school for goofing around. Soon fired for trying to court the owner's daughter, Pinkus lands another job in a more 'upmarket' shoe salon, only to be fired again, before charming a rich benefactress to fund his ultimate dream: Pinkus' Shoe Palace.
Max Reinhardt’s second and last silent film. It tells the story of two young girls (Cheerful & Shy) who, in order to escape their father’s authority, reaches an island of wonder filled with gods, nymphs, fauns and other creatures.
Richard de la Croix's brother, Andreas, has been driven insane by a notorious vamp and socialite named Sappho. A friend takes Richard to the Odeon to meet her, but when Sappho actually meets him, he is unaware that she is the woman who drove Andreas to be institutionalised. Sappho genuinely falls in love with Richard, and decides to leave her vampy ways and her older lover behind her so that she can have him.
A neglected wife disguises herself in order to lure her wastrel husband into a compromising position.
Der Stolz der Firma, meaning The Pride of the Business, is a classic German silent film from 1914. The film tells the story of a shrewd apprentice and is filmed in the comical style of director Lubitsch. This is one of the few Lubitsch films from World War I that wasn’t lost.
In this film, the people of a Tyrolean town climb up into the nearby mountains, searching for a place where they can hold a picnic and a spring festival: ideally, a place where they can eventually erect dwellings and cultivate crops. Led by the local nobleman (Arthur Ehrens), they find an appropriate spot, and the festivities begin. Some children briefly perform a charming folk dance. Suddenly the Rübezahl arrives and threatens to kill all the townsfolk if they don't leave immediately.
Comedy about a film crew shooting a movie about guns and robbers, when real robbers turn up. Having to go home in robbers costume, they are mistakingly accused. In the end the real robbers are brought to justice. One of the earliest films portraying bisexual characters.
A traveler comes into a town overrun with rats and vermin. He promises to free the place of the pests and names his price. When the townspeople refuse to pay him after he has done what he promised, he plays his tune again with consequences. This film survives in incomplete/fragmentary form.
Engelein is a comedy of deliberately mistaken identity. If Jesta, a 17-year-old, can play the part of a 12-year-old, her family will gain a large inheritance from a rich uncle from Chicago. Her unruly “play-acting” for the uncle is preceded by an earlier incident in the film that results in Jesta being evicted from her girl’s school. Wearing a long, woman’s skirt, she climbs up a ladder and onto a thatched roof. She reaches over the top of the wall to kiss her boyfriend, who appears from the other side. However, Jesta is caught by the headmistress, and her forced descent is precipitous. Pulled downward, she reveals a great deal of a black-stockinged leg. She looks distinctly sexual as she falls into the matrimonly arms of the law, whose duty is to enforce the rules of female decorum.