Les Archives de l’Art Cinématonique

A simple, modest and faithful record of some moments at the Lucca Film Festival in October 2010, with songs and speeches by Abel Ferrara: trace of the co-presence of two of the greatest contemporary filmmakers, dissident and true sons of Cesare Zavattini’s revolutionary spirit.

Gérard Courant's "Filmed Diary" of December 14, 2011, produced in Dubai (United Arab Emirates). Between December 7 and 15, 2011, Gérard Courant was invited by the Dubai International Film Festival, in the United Arab Emirates. It was an opportunity for him to film many "Cinematons" of personalities from the Arab world and to continue his "Film Notebooks" from which he brought back 7 episodes.

Madrid, a stroll in the Spanish capital with Joseph Morder followed by the snowstorm that paralyzed the Paris region on December 8, 2010.

On 6 December 2013, a public exhibition dedicated to her memory, Bernadette Lafont l'exposition hommage, was held in Paris. Actors Stéphane Audran, Guillaume Gouix and Alexandra Stewart read some extracts of Bernard Bastide's new biography Bernadette Lafont, une vie de cinéma, including some original letters written by Bernadette. The event was filmed by Gérard Courant and aired as an episode of Carnets filmés, In Memoriam Bernadette Lafont.

The films of Marilyn Monroe, sped up by Gerard Courant.

Every Good Friday, since 1980, I have filmed the reconstruction of the Stations of the Cross of the Passion of Christ in Burzet, in an isolated village in Ardèche, where the inhabitants, for seven centuries, have dressed up to celebrate and perpetuate this religious rite. . “Dis-nous ce que tu sais” is the report of the Good Friday ceremonial of the year 2023 in Burzet.

A cinematographic logbook around the mythical island of Alicudi in Sicily.

"Les Malheurs d'Yvan Noé" shows the ravages of time on the film A Death Without Importance that Yvan Noé shot in 1948. By isolating and slowing down the most damaged parts of the French filmmaker's film, I managed to create a object with abstract shapes and, insidiously, to give another life to an artistic work. - Gérard Courant

“Les Malheurs de Marc Allégret” shows the ravages of time on the rushes of the unfinished film “Les Corsaires” which Marc Allégret began filming in 1940 and which was interrupted by the Second World War. By isolating and slowing down the most damaged parts of the French filmmaker's film rushes, I managed to create an object with abstract shapes and, insidiously, give another life to a major artistic work. - Gérard Courant